Parts of the Church Building: the Sanctuary

July 6, 2010

In the eastern tradition, the term “altar” is a synonym for “sanctuary.” Substitute the word as you read the following passage from St. Germanus, and it will make more sense:

The altar corresponds to the holy tomb of Christ. On it Christ brought Himself as a sacrifice to [His} God and Father through the offering of His body as a sacrificial lamb, and as highpriest and Son of Man, offering and being offered as a mystical and bloodless sacrifice, and appointing for the faithful reasonable worship, through which we have become sharers in eternal and immortal life. This lamb Moses prefigured in Egypt “towards evening” when its blood turned back the destroyer so that he would not kill the people (cf Ex 12:7-13). The expression “towards evening” signifies that towards evening the true lamb is sacrificed, the One who takes away the sin of the world on his cross, “For Christ, our Pascha, has been sacrificed for us” (cf I Cor 5:7).

The altar is and is called the heavenly and spiritual altar, where the earthly and material priests who always assist and serve the Lord represent the spiritual, serving, and hierarchical powers of the immaterial and celestial Powers, for they also must be as a burning fire. For the Son of God and Judge of all ordained the laws and established the service of both the heavenly and the earthly (powers).

We’ve discussed some of this already, here and here. In summary:

1. Sanctuary as Christ’s Tomb: The traditional apse form of the sanctuary images Christ’s tomb which was located in a garden. Thus the sanctuary is to the church building what the tomb is to the New Eden: the place where the sin of Adam is undone. Garden imagery is therefore abundant.

2. Sanctuary as Place of Paschal Sacrifice: Christ’s sacrifice was prefigured in the Passover Lamb, of which God commanded: “the whole assembly of the congregation of Israel shall kill it in the evening” (Ex12:6). This fact may (I’m speculating) help explain why the Holy Place in the Temple at Jerusalem, which contained the golden altar, was placed on the west side of the complex, with the setting sun, so that the place of the Passover ritual would correspond with the time of the event commemorated.


Plan of the Temple at Jerusalem.
North is up, and the Holy Place and its golden altar are to the west..

At the same time, it was in the evening before His betrayal that Christ, at the Last Supper, was both priest and sacrificial lamb–in the Cenacle on Mount Sion. The Cenacle was the most important synagogue in all Jerusalem, located as it was over the tombs of King David and the mysterious priest Melchisedech, offerer of bread and wine. After Pentecost, it became the first Christian church, home of the Liturgy of St. James. All synagogues are abbreviations of the Temple as they were invented during the Babylonian captivity to carry on the ceremonial of the Temple, sacrifice excepted: they are composed of a porch, a nave, and a sanctuary or bema. The bema is always oriented toward the Temple.

Thus, there were two models for Christian church buildings: the Temple and the synagogue. The sanctuaries of the earliest post-Constantinian churches in Christendom, most prominently St. Peter’s in Rome, imitated the westerly location of the Holy Place in the Temple.

Plan of Old St. Peter’s as constructed by Constantine.
North is up and the Sanctuary is to the west.

The church buildings which imitated the synagogue, however, took a different tack. While the synagogue’s bema pointed to the Temple, the church building’s sanctuary now pointed east. The direction of Christian prayer was always toward the east–ad orientem. In the words of St. John of Damascus, “we worship God seeking and striving after our old fatherland,” i.e., the Garden of Eden. We also face east in expectation of the Second Coming:

For as the lightning cometh out of the east, and shineth even unto the west; so shall also the coming of the Son of man be.
 (Matthew 24:27)

This was so even when the sanctuary of the church building was located to the west–the congregation simply turned around and faced east. The nice thing about placing the sanctuary to the west is that the building itself faces east, both to imitate Paradise lost (whose gate was in the east), and to join in the direction of striving.

Placing the sanctuary in the east, on the other hand, has certain advantages. For one, there is now no need for those hearing Mass to turn around, putting the altar behind them. Also, the whole movement toward the church, through the preparatory forecourt, into the nave, and toward the Sanctuary boundary for Holy Communion is now an eastward movement–the whole is now a striving for our fatherland. The movement is from darkness, the sun’s setting, toward light, the sun’s rising. From birth in Original Sin, to death in Sanctifying Grace. St. Germanus’s own cathedral Hagia Sophia imitates the synagogue.

Plan of Hagia Sophia.
North is roughly up and the Sanctuary is to the east.

The sanctuary of the New Covenant is a spiritualized version of the Old Testament Holy Place. Where the fire was carnal, now it is spiritual. The material liturgy mirrors the heavenly, and as such the sanctuary is as close to heaven as it is possible in this life to be.

Interior of the Hagia Sophia, sanctuary at the end.
Nothing wrong with morning light streaming in.


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